[ Confi-dance ]

Goran D. Bogdanovski and Dejan Srhoj of Fičo Balet may look as if they belong in the rhythm section of a Slovenian metal band but any such fears are soon put to rest by a performance of enormous variety, imagination and irreverence.
Tom Lee - Aerowawes on line - London, Sat 29 January 5th, 2005

Goran D. Bogdanovski and Dejan Srhoj  transfer the dance from the non-problematic physical deftness into the register of the essential matters: way of living and way of thinking. Food for though for the bored Slovenian, contemporary dance folklore. 
... The performance of Goran D. Bogdanovski and Dejan Srhoj stretches between pleasing the audience on the one hand (Ficobalet has gradually created a specific horizon of expectation) and manifestations of their own imperfection on the other. At the same time, they are fully aware of the dangerous limits of their ego system, therefore they can manage the density of the idea.
Rok Vevar, DELOSKOP LJUBLJANA,September 9th 2004

Last Friday and Saturday, in the intimacy of Studio 303, Goran D. Bogdanovski and Dejan Srhoj enchanted their audiences by sharing the high voltage magic of Confi-dance, a rolling thunder of stylistic exercises running their course over an amazing 50-minute performance.
... The range of skills of these two incredibly polyvalent dancers is simply extraordinary. Confi-dance is a very skillful portrayal of the mix of genres typifying contemporary dance today.  But the true statement of this performance is about creating an incredible space framed in complicity and freedom. Bogdanovski and Srhoj reach deep within while amusing themselves, combining classical, hip hop, contact and modern dance with a touch of derision and light-footed aggression typical of comic twosomes.
Stéphanie Brody, LA PRESSE MONTREAL, December 7th, 2004

Among the grave, conceptually burdened dance community, Fico Balet is one of the few groups that dare venture onto terrain as slippery as humor and this time they struck bull’s-eye. Bogdanovski and Srhoj put together a performance that does not drag jokes out, it rides like a slide, it jests and drags you along, whether it’s the interplay and mirror games of the nimble gazelle-like duo, the autonomous dance of feet, the unsurpassable travesty of heroic ballet to the score of Star Wars or the outro declarations, so outside current trends. Light, invigorating and consistently not serious.
Jaša Kramaršic Kacin, MLADINA, September 9th 2004


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